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Construed Artistic Identity and Resistance to Identity Change in UK Theaters: An Empirical Investigation

Construed Artistic Identity and Resistance to Identity Change in UK Theaters: An Empirical... The paper argues that the ‘looking glass self’ approach to the formation of individual self-identity can also be applied to the determination of the core identity of an organization. A survey of 126 state-subsidized UK theater companies was completed to ascertain managerial opinions regarding each theater's ‘artistic identity.’ The latter was defined in terms of a theater director's evaluation of his or her theater's educational and cultural role and its fundamental ideological and philosophical orientation. Concomitantly, respondents were asked to declare their perceptions of how they believed key stakeholder groups saw their theaters' artistic identities. The replies were used to test the hypothesis that the greater the degree of congruence between a director's own opinion of his or her theater's artistic identity and the director's assumptions about how valued stakeholders interpreted the theater's artistic identity, then the lower the likelihood that the theater's artistic identity would be altered, even if the objective need for an identity change was acknowledged. http://www.deepdyve.com/assets/images/DeepDyve-Logo-lg.png Corporate Reputation Review Springer Journals

Construed Artistic Identity and Resistance to Identity Change in UK Theaters: An Empirical Investigation

Bennett, R; Kottasz, R
Corporate Reputation Review , Volume 4 (3) – Oct 1, 2001
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References (14)

Publisher
Springer Journals
Copyright
Copyright © 2001 by Palgrave Macmillan
Subject
Business and Management; Business and Management, general; Marketing; Management; Corporate Communication/Public Relations
ISSN
1363-3589
eISSN
1479-1889
DOI
10.1057/palgrave.crr.1540145
Publisher site
See Article on Publisher Site

Abstract

The paper argues that the ‘looking glass self’ approach to the formation of individual self-identity can also be applied to the determination of the core identity of an organization. A survey of 126 state-subsidized UK theater companies was completed to ascertain managerial opinions regarding each theater's ‘artistic identity.’ The latter was defined in terms of a theater director's evaluation of his or her theater's educational and cultural role and its fundamental ideological and philosophical orientation. Concomitantly, respondents were asked to declare their perceptions of how they believed key stakeholder groups saw their theaters' artistic identities. The replies were used to test the hypothesis that the greater the degree of congruence between a director's own opinion of his or her theater's artistic identity and the director's assumptions about how valued stakeholders interpreted the theater's artistic identity, then the lower the likelihood that the theater's artistic identity would be altered, even if the objective need for an identity change was acknowledged.

Journal

Corporate Reputation Review – Springer Journals

Published: Oct 1, 2001

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